marius takes a break from his recent studio lp work with prins thomas and delivers another killer release on maxi discs. continuing his journey into ny influenced dance music, he unleashes >glow of filter & dub< an epic 10 min ride into the musical world of legendary clubs like the paradise garage and body & soul that inspired him. it even has an old school drum break to drive your dance floor crazy. you can smell the sweat on this one - work it! on the flip, deep house heads 6th borough project work their subtle magic on >love gun< and create a house vibe that is deeper than deep. while disco deviant dicky trisco strips back >glow of filter & dub< to the bare essentials and works it to the max in a tribute to early tony humphries proto - house style cuts like ma foom bey.

das münchner produzenten-duo columbus veröffentlicht am 10. juni seine zweite single hubble . columbus knüpft mit hubble an die tradition des münchner disco-sounds an. der einsatz analoger synthesizer und aufnahmetechniken verleiht dem song authentizität und eine zeitlose Ästhetik. referenzen zur kürzlich verstorbenen ikone kurt hauenstein alias supermax sind nur schwer überhörbar. für die nötige clubtauglichkeit sorgen remixe namhafter produzenten wie ajello, in flagranti und pyjamas. für das artwork und video zum song ist das münchner designstudio the crystal beach verantwortlich.

hamburg/berlin operated label contentismissing returns to vinyl format with cim 006 presenting a selection of 4 eloquent tracks by both resident players and newcomers. the diversity of purist house music as presented on the last label compilation 24h (cim 004) is maintained and developed, featuring acid disco flavours by eve white, floor enchanting frenzy by st. plomb/crowpleaser, rocksteady deephouse by jan tenner and submerging experimentality by tilman tausendfreund.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullion s signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.

after the roaring success of nicolas jaars space is only noise album the fine curatorial heads at circus company hq have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. having built a cult following and peerless reputation for his remixes of everyone from roy ayers to cassius, pépé bradock turns in no less than 3 versions of too many kids finding rain in the dust. the proceedings begin with his blind pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. the train fantôme poke follows and is certain to find its way into many a discerning dj bag in the weeks and months to come, with its mathew herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. dave aju takes up the baton on the flip turning the albums title track into the kind of late 80s dance floor work out martin hannet would have been proud of, certain to appeal to fans of recent work by matias aguayo, rebolledo and the comeme camp.

future boogie - the name of the game, killer disco release / late 80s acid house flavoured... incl rmxs from julio bashmore & pbr streetgang

youandme & rhauder present their interpretations of the radio slave track >k-maze<.

wolfram präsentiert die zweite single aus seinem aktuellen album! für >a thing called love< konnte sich der wiener produzent die dienste der eurodance-legende haddaway sichern. dieser song ist die quintessenz seiner mission, die clubmusik der letzten drei jahrzehnte neu zu definieren. neben dem original in der extended version gibt es noch zwei killer-remixe vom electro-/italo-disco-titanen legowelt aus den haag und dem derzeit superhotten house-produzenten kink. erstmals auf vinyl erhältlich ist der album-track >roshi<.

merc music proudly presents new artist edward, a new light emerging from the black country underground. having passed mark e a cd full of left field house music maxa & naxa finally make their way onto vinyl with merc. here lies deep distorted driving 4/4 beats and looped disco monotony, following in the vein of previous merc releases this pushes the sound even further.

a1: can you understand - trademark nicholas sound, brilliant percussion and moving synth, warm bass and a superb sample combo. excellent!
a2: if this world - old school house vibe with the keys on this track. hypnotic vocal throughout, great idea and execution. awesome bassline! killer!
b1: world of confusion - beat down disco, 85 bpm on this one. a real gem, slow groover. awesome percussion, vocal will stick in your head for days! brilliant!
b2: i know a place - keeping with the beat down vibes. great vocal, horns with a brilliant beat, percussion is superb! big track!

ultraphat phunky chicago disco house madness, fodera vs green

after a short hiatus, the highly sought after hot natured re rubs series is back. forth in the series features four great re-edits by jamie jones, lee foss, miguel campbell and richy ahmed & s.a.s. richy and sas open the proceedings with a dirty ass slice of downtown funk and street hip hop, lee foss (modern amusement) slows the pace down and get’s stuck in to a sick 80s jam. on the flip and jamie jones delivers a perfect disco summer groove, whilst miguel campbell delivers another 80’s inspired killer! its gonna be one hot summer at hot natured mansions…

a brilliant b-side by austrian, donna summer and, produced by the ingenious frank farian, this is an emotional german disco hit that hits you in the guts. i had total respect for gilla when i was a kid , says dj hell.

new one from kyle hall on his label wild oats. vocal house track on the a-side, and a jazzy disco drum cut on the flip.

perfectly suited for huge dance floors and long summer after hours hon-ken sparks with spiralling, hypnotic, multi-layered synths moving between trance and space disco.
inspired by japanese wisdom and engineered with teutonic precision, hon-ken will release your mind and put every dance floor into frenzy.
on the flip lopazz and zarook add a more dub-infused note to their remix treatment. tokyo based producer liquid pegasus delivers a strong recording debut slowing things down to 100bpm resulting in a wonderfully deep disco cut.

die zweite maxi auf dem aus manchester stammenden label brutal music kommt von dem geheimnisumwitterten produzenten cherrystones, der unter dem namen godsy für das new yorker kultlabel whatever we want records aktiv ist. die ep enthält drei stücke, die ihre vorliebe für krautrock, industrial, soundtracks, no wave und disco erst gar nicht verleugnen.

from the murky manchester backstreets, the el diablos social club main man neil diablo (aka the midnight chopper alongside cohort mr masters) stalks his balearic-rock prey with a sharp eye for a groove and a keen sense of razor sharp riffing! on this outing they turn their attention away from the over-subscribed disco edit scene, instead focusing on something a bit more bearded, a bit more rock.
the first chop is the deepest ...

this is the second series of quality edits delivered by our new boy seegweed. this time we go disco with willie hutch, afro-cuban with los monequitos and deep/folky with lou bond. basically, we got something for everyone!

dikso from berlin drop another amazing 4 tracker in their super sound single series! ladies and gentleman - the dikso spring collection … winter is over, no more depressions, no more shitty weather. the new dikso super sound single volume 5 is all about spring fever. love from london, amsterdam and dortmund and even more love from the dikso headquarter in berlin.

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

jackmodes first label ep release dinner party on the moon by nat self (one half of zombie disco squad) is a good example of the collective passion for house and techno music encountered across the jackmode roster, and has already been pushed by the likes of justin martin, solo and jesse rose, amongst others

motion± and emi music japan proudly announce the disco legend dj harvey remix of japanese legendary electronic producer logic system! the single will be distributed through endless flight. logis system is well known as the fourth member of yellow magic orchestra and their most famous song >clash< which dj harvey included to his mix cd >sarcastic disco vol.2<. a side is harvey remix of >clash< and b side is unreleased song which is composed in 80s. any explain and more introduction are not necessary for this release. dont miss this amazing collaboration of logic system and dj harvey!

seventh release on the ever essential imprint from those lovely people over at the acclaimed sleazybeats blog. italian newcomer la tuerie seriously drops the tempo on his debut release for amsterdams sleazy beats recordings with four slowburning beatdown disco and boogie tracks that scream for sweaty basements and sunkissed beaches. if you’re into the super value series you’ll love this record.

so addictive: the title says it all. this housey tune builds up with layers of digital swirls powered by a kickass beat. chopped up disco-feel vocal snippets create the dancefloor vibe of ?club lasers meet glitter ball?. we?re hooked but be warned - you?ll never get enough. starstruck: a cocktail of electro chord harmonies with a delicious shot of catchy oohs give this groove something to slam too. it?s disco audio waves roll up on the funky shores of vocal snippets with just enough white-crested synths to give this housey number dance-driven pleasures.

the 7th release on mikrodisko delivers the perfect concept for the dissolution of the antagonism between original and replica with kassem mosse’s “musical generics”. while m7&#8243,,, is still available as a single, it needs to be resynchronized according to the time of day from fast forward mode to time lapse disco. this record really fits into the smallest handbag, and: small clubs just need small records!

two slamming disco edits, limited dj promo run

after a short hiatus, the highly sought after hot natured re rubs series is back. forth in the series features four great re-edits by jamie jones, lee foss, miguel campbell and richy ahmed & s.a.s. richy and sas open the proceedings with a dirty ass slice of downtown funk and street hip hop, lee foss (modern amusement) slows the pace down and gets stuck in to a sick 80s jam. on the flip and jamie jones delivers a perfect disco summer groove, whilst miguel campbell delivers another 80s inspired killer! its gonna be one hot summer at hot natured mansions

swedens drop out orchestra return with an amazing disco balearic version of the sex pistols classic b/w a live disco version of the classic jx - son of a gun. support from rayko, bang gang djs, faze action, tronik youth, frank broughton: (dj history

excellent deep slo mo house / disco journey...

disco disco disco

lonely c & baby prince is a new partnering fusing one half of soul clap with one half of wolf + lamb in a new strain to their creative collective. made during the same sessions as the addictive dj kicks compilation from wolf + lamb vs soul clap, created during the artists relocation to miami during late 2010, gadi mizrahi (wolf + lamb / double standard) and charles levine (soul clap) produce together for the rst time under the alias lonely c & baby prince. with strains of funk, soul, disco and contemporary electronic music running through its vein, lonely c & baby prince leave you spellbound with this collection of tracks. four warm and enthralling productions make up >not so lonely ep< from this formidable duo

project tempo are back! the mysterious parisian duo of djs with a passion for 80s funk, boogie and soul produce two more heavily dubbed out reworks for the dance floor and for the after hours.
this is serious slow mo boogie and electrofunk for lovers of that classic 80s soul sound. and with a massive on-line following and support from some of the worlds best disco jockeys, project tempo are definitely ones to watch.
limited edition vinyl pressing for demonstration purposes only.

after >echo life< and >night impact< mirror peoples third release >reaction!/odyssey< is out now on social disco clubs hands of time label. this 12 inch reinforces rui maias ability in crossing over his trademark synth skills with his love for emotional and melodic dancefloor movements. both tracks fuse recognizable patterns and intriguing ones where the cold teutonic meets far-eastern harmonies in a cool piano induced crescendo. as for the two remixes, tiago miranda provides a buzzing hypnotic >zawa dub< of >reaction!< and jacques renault a rhythmical stomping >odyssey< version

next shaker from nightrhymes

bermuda is a rare project from kimmo oksanen and roberto rodriguez. fusing synthed out deep house and disco vibes the talented pair have crafted a real blast from the past with the super cool retro styled ihasama. the release comes in three fantastic versions. firstly the thrilling nacho marco remix fuses 80s vibes with a modern approach as he twists the originals synths into an old school jacking house jam! the extended club music edit sees oksanen and rodriguez open up the energy levels with a more discofied, running mix. subtle key changes and some genius instrumentation really bring this mix to life, as its rousing synthlines do the business. finally up and coming uk producer jay shepheard reinterprets ihasama into a funky, light hearted jam thats perfect for the summer sun. soft strings rise and fall before a walking bassline brings it back it back home. more great work from this growing talent!

m.a.n.d.y. and matthew dear lit up new york city in 2010, with their buddies club night, and - as m.a.n.d.e.a.r. - with their own urban dancefloor myth, the unreleased track >buddies<. the cut fused deep hypnotism with dancefloor abandon, swirling sheen hints of disco and an infectious sing-along hook. by keeping it close to their chests for months on end, m.a.n.d.e.a.r. drove anticipation into fever pitch, and >buddies< finally burst out of the gate in october as the opener of thomas schumachers 8 years get physical music compilation. now, >buddies< is fully realized with reworks from some of the best in the business - m.a.n.d.y., radio slave, smash tv and siopis. philipp jung and patrick bodmer make >buddies< over into a sleek late night beast with their m.a.n.d.y. remix

following up their awesome 12 inch on claremont 56, almunia (leonardo ceccanti and gianluca salvadori) unleash their debut lp with a sweet heady mix of overdubbed disco, guitars and psyched out grooves.
deluxe 350gsm gatefold with heavy weight printed inner sleeves on uncoated stock, limited to 300 handnumbered copies.

the newly crowned dutch emporium of all things disco tinged swiftly presents a second round of vinyl-only gems - commencing with the classic philly disco boogie strains of >just cant get enough< which contains just the right amount of deviations into sonic filtration. complementing this is the instrumental boogie heat of >lets go swingin< which fully demonstrates the majestys pleasure talent for slicing and dicing the groove. turn over for the insistent chugging sounds of >tainted binary< which unfolds brilliantly into a string heavy disco epic. the best is perhaps saved for last as >didnt mean to dub u off< reveals itself as a crystalline filled excursion into 80s proto house excellence.

mario basanov is one of the most highly gifted and versatile producers rising up through ranks of electronic music. with a staggering ten years production experience that belies his young age, mario is as comfortable remixing major label acts as he is crafting his beguiling deep disco / house sound. a number of unforgettable tracks have been unleashed over the past couple of years including >caribbean girl<, >do you remember?< and >up<. mario basanov returns on needwant to showcase his vocal talents for the first time with >lonely days<. the studio master from lithuania delivers the ultimate serotonin boosting package, decked out with remixes from drop out orchestra and downtown party network.

yam who?s ism label come through with a four track slice of disco centric futurism, featuring the man yam himself alongside pbr streetgang and ron basejam. its the latter who takes the lead with a remix of alenas >changes< that sees her sultry vocal teased by a most excellent of analogue synth leads that splurges brilliantly across the crisp mid tempo chug. yam who? teams up with vocalist natasha watts for the similarly bottom heavy bump of >i m in love< which has a certain warehouse appeal to it. on the flip, pbr pay respect to the godfather of soul james brown with the gritty flex of >j2thab< with the sadly departed mr brown strangely sounding at times like he wants to go to tesco. we always took him for a waitrose man, but regardless this is probably the track you will reach for most! finally brothers young do their thing to a trammps classic, with little more than the bassline retained.

hfn music launches a new sub-label with hfndisko - an outlet for some of the groovier finds. lightbluemover is the somewhat mysterious new artist gifted with the chance to kick start this new project. and what a start it is! >girn<, featuring the equally mysterious blacklightsmoke, is an extended, wild pitch journey into the smoky, synth-voiced slow house. beautifully mad, pitching synths and a husky vocal all add up as lazy beats lift this stoner-anthem into new levels the sci-pop disco meets psychobilly fusion that is >ddisco< is a further surprise and really gives us a view into lightbluemover extravert world. meandering synths and spooky passages drift and saunter through a bouncing, tense field of analog love.

kompakt has always been partial to belgium as they have been tremendously loving to us ... leading the charge of support have been our friends mugwump – the dynamite duo that comprises of geoffoy and the star of our show today – kolombo. we have had a great strain of releases with them over recent times and many will remember kolombo from a number of big tunes for turbo, vice versa and boxer recordings. kolombo pays tribute to the spirit of slo-mo belgian new beat with >waiting for<. a 105 bpm driven concoction of classic house, balearic disco lead by the voice of 80s pop maestro howard jones of his memorable hit >everlasting love< means yes, we have a winner!

go disco! a call to all who fall in love with the song >sue is blue<. everything is focused on the slow, but swinging groove, including individual flashing fragments of the 20s. a dirty house music base drum pushes this track towards the dancefloor. the piece >offshore< takes you on a journey with its epic, modest and balanced mood, which turns out to be a dancefloor sensation. >teheran traffic< is speeding up the tempo. the b-side is determined by a powerful sound. just as the >far from here edit< by philipp wolgast works well in the club.

exploited serve an ace from consistent, a group of well known producers working under the cloak of anonymity. previously having released on frontroom and boe with remixes for tartelet and man recordings, consistents track >feeling high< dices vocals and disco vibes into a house heavyweight something like hot city meets soundhack, coming with certified anthem status. get involved for the polished berlin-meets-chicago modernism thatll get you sweaty as a taxi drivers neck in july. its difficult to say whether this is tech house or deep house, strictly speaking, but either way the title track bumps. it funks and, although were told it comes from berlin, its damned chicago. this is the 2nd single from consistent (remember aint no bump?) on exploited. early support by kink (rush hour), optimo (jd twitch), laurent garnier (f-com), dj t (get physical), dj hell (gigolo), erol alkan (phantasy), brodinski (turbo), feadz (ed banger), round table knights (made to play), ian pooley robert dietz (cecille), till von sein (suol), adam port (liebe*detail), lee jones (watergate), stuffa (trunkfunk), mosca (nightslugs), lazer sword (stonesthrow/numbers), pezzner (freerange/om), acidpauli (console/notwist), jamie anderson (artform)

early support by jacques renault, jon sa trinxa, disco bloodbath, dj hendrix, bottin, more to follow... hell yeah recordingss sister disco label danny was a drag king is on a roll! italian dj/producer luminodiscos music stands out from the current stagnant re-edit game, his brilliant production skills are obviously influenced by the best of the past but aimed to original purposes. new single balerama is no exception, its a midtempo balearic journey, dreamy but chunky and funky enough to get your dancefloor locked into it. coffee mugs is an exclusive smokin bonus track on the vinyl edition. luminodisco is definetely here to stay, stay tuned for more. remixes: italian indietronica band tempelhof into a kind of basic channel mood provide a pure class tripped out electronic-house remix. austrian born, london living and universal dreamer giulio dj (is it balearic, elevator people) gets fully balearic adding some pure bliss vocals (courtesy of izzy)... one for sa trinxa beach...if you know what we mean

killer 2 track phunky / disco edits .. for your pleasure. no digital release!! already played by tobi neumann, ricardo villalobos, reboot and many many more